All VOUET, Simon Oil Paintings

French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting
 
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VOUET, Simon Magdalene r oil on canvas


Magdalene r
Magdalene r
Painting ID::  9683 		  1614-15 Oil on panel, 63 x 49 cm Palazzo del Quirinale, Rome
  1614-15 Oil on panel, 63 x 49 cm Palazzo del Quirinale, Rome

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VOUET, Simon St Catherine er oil on canvas


St Catherine er
St Catherine er
Painting ID::  9684 		  1614-15 Oil on panel, 63 x 49 cm Palazzo del Quirinale, Rome
  1614-15 Oil on panel, 63 x 49 cm Palazzo del Quirinale, Rome

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VOUET, Simon The Fortuneteller w oil on canvas


The Fortuneteller w
The Fortuneteller w
Painting ID::  9685 		  1617 Oil on canvas, 95 x 135 cm Galleria Nazionale d'Arte Antica, Rome
  1617 Oil on canvas, 95 x 135 cm Galleria Nazionale d'Arte Antica, Rome

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VOUET, Simon The Fortuneteller (detail) aer oil on canvas


The Fortuneteller (detail) aer
The Fortuneteller (detail) aer
Painting ID::  9686 		  1617 Oil on canvas Galleria Nazionale d'Arte Antica, Rome
  1617 Oil on canvas Galleria Nazionale d'Arte Antica, Rome

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VOUET, Simon Virgin and Child wer oil on canvas


Virgin and Child wer
Virgin and Child wer
Painting ID::  9687 		  Oil on canvas Mus??e des Beaux-Arts, Lyon
  Oil on canvas Mus??e des Beaux-Arts, Lyon

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     VOUET, Simon
     French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting

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